标签归档 武汉夜网

[US stock index]

On Tuesday, July 23rd, EDT, the three major US stock indexes collectively closed down, with the S&P 500 index falling 0.16% to 5555.74 points. Dow Jones index fell 0.14% to 40358.09 points; The Nasdaq index fell 0.06% to 17,997.35.

American debt

On July 23, the benchmark 10-year US bond yield was 4.25%, and the 2-year US bond yield, which is most sensitive to the Fed’s policy interest rate, was 4.40%.

[Hot American stocks]

Among popular US stocks, Apple rose 0.47%, Microsoft 0.43%, NVIDIA 0.77%, Google C 0.14%, Google A 0.07%, Amazon 2.12%, Meta 0.27%, TSMC 0.31%, Tesla 2.04%, AMD 1.20% and Intel 1.26.

[global index]

[China index]

On July 23rd, overnight Hang Seng Technology Index futures fell by 1.88%, Nasdaq China Jinlong Index fell by 1.84%, and FTSE China A50 Index fell by 1.55%.

[China Stock Exchange]

In terms of popular Chinese stocks, Tencent Holdings (Hong Kong stocks) fell by 1.88%, Pinduoduo by 0.86%, Alibaba by 0.72%, Netease by 0.14%, Baidu by 2.06%, Ctrip by 2.20%, LI by 3.47%, Weilai by 4.37% and Xpeng Motors by 6.72%.

[foreign exchange commodities]

[Global News]

Musk: It is expected that FSD will be approved in China before the end of the year.

Elon musk, CEO of Tesla, said in the earnings conference call that he would apply for regulatory approval in Europe and China to implement the supervised FSD, and it is expected to be approved before the end of this year. (CBN)

Musk: The construction of Tesla’s super factory in Mexico is currently in a "suspended state"

Musk said that the super factory in Mexico is currently in a suspension stage. But the company will see the situation clearly after the November election in the United States. Everything depends on the political situation. Tesla will wait until the November election before deciding on Mexico’s investment.

Musk: postpone the Robotaxi conference from August to October.

Elon musk, CEO of Tesla, said that the Robotaxi conference would be postponed from August to October. Tesla will deliver cheap models in the first half of next year; It is expected that the production of Roadster sports cars will start next year. The demand for NVIDIA is so high that it is difficult for Tesla to obtain the required GPUs. We need to make more efforts in Dojo to ensure that we have the required (large model) training ability. Tesla will "double the bet" Dojo. We really need to make Dojo work.

Google will invest another $5 billion in its self-driving car business.

Porat, chief financial officer of Alphabet, said that Alphabet plans to make a multi-year $5 billion investment in Waymo’s driverless car division.

Tesla did not give a timetable for the launch of Robotaxi in the financial report.

Tesla announced its second-quarter financial report today, and the financial report did not give the specific launch time of the self-driving taxi Robotaxi. Tesla said in the financial report: "The deployment time of Robotaxi depends on technological progress and the approval of the regulatory authorities. In view of its huge potential value, we are actively grasping this opportunity. At the same time, we are managing our product portfolio with a long-term orientation, focusing on sales growth, maximizing the use of installed infrastructure, and generating enough cash flow to invest in future growth. " Earlier this month, people familiar with the matter revealed that Tesla postponed the release time of Robotaxi from August this year to October.

Google CEO Pichai: Waymo pays 50,000 trips per week.

Alphabet CEO Pichai said that Waymo paid 50,000 trips per week. More than 1.5 million developers use the big model Gemini tool. AI Overview Improve search satisfaction.

Tesla: The new car plan is still on schedule.

Tesla said that the focus of the whole company is still to reduce costs. The new car plan is still on schedule. Cybertruck production is expected to be profitable by the end of the year.

Google executives: Cloud revenue is boosted by the demand for artificial intelligence (AI)

Google executive Ruth Porat said that search contributed the most to the company’s revenue growth. The growth of the search is particularly prominent in the retail industry. Declined to comment on the company’s abandonment of Wiz acquisition. The company has been exploring the "diversity" of its portfolio by acquiring (other companies). This will be my last conference call with analysts from Google. Cloud revenue is boosted by the demand for artificial intelligence (AI).

Alphabet’s cloud revenue of $10.35 billion in the second fiscal quarter was higher than market expectations.

Alphabet’s revenue in the second fiscal quarter was 84.74 billion US dollars, and analysts expected 84.37 billion US dollars; In the second fiscal quarter, Google Cloud revenue was $10.35 billion, and analysts expected $10.09 billion; In the second fiscal quarter, Google’s advertising revenue was 64.62 billion US dollars, and analysts expected 64.53 billion US dollars; In the second fiscal quarter, other business revenue was $365 million, and analysts expected $389.6 million; In the second fiscal quarter, the revenue excluding the cost of traffic acquisition was 71.36 billion US dollars; The operating profit in the second fiscal quarter was $27.43 billion, with an estimated $26.37 billion.

Tesla’s revenue in the second quarter exceeded expectations

Tesla’s revenue in the second quarter was $25.50 billion, and analysts expected $24.63 billion; The adjusted earnings per share in the second fiscal quarter was $0.52, and analysts expected $0.60; The operating profit in the second fiscal quarter was $1.61 billion, and analysts expected $1.81 billion; The gross profit margin in the second quarter was 18%, and analysts expected 17.4%; Free cash flow in the second fiscal quarter was $1.34 billion, and analysts expected $1.92 billion; It is still expected that the sales growth rate will be significantly reduced in 2024; It is expected that the output will increase in the third quarter.

　　"Inheritance and Innovation"

　　— — Interpretation of Teacher Han Meilin’s Art Design Thought

　　Professor and doctoral supervisor of Tsinghua University Academy of Fine Arts.

　　Executive Deputy Director of China Ancient Writing Art Research Center.

　　Nan Chen

　　As a famous master of art, Mr. Han Meilin’s achievements in painting, calligraphy, sculpture, ceramics and other artistic fields have attracted worldwide attention. Because of his wide cross-border, profound artistic attainments, distinctive personality and great social influence, he is called "Picasso of China". In 2005, I was lucky enough to be selected by BOCOG to join the Olympic mascot creation team designed by Mr. Han. During nearly eight months of hard work and revision, I was close to the master of art and was lucky enough to be a witness and participant in this important design event in China. In 2012, I was fortunate to be the first doctoral student of Mr. Han in Tsinghua University, so that I could study Mr. Han Meilin’s artistic design thoughts more systematically, sum up his creative experience and methods, and sort out his unique educational thoughts and teaching system. There are many research articles about Mr. Han’s artistic creation, and this paper focuses on the analysis and interpretation of Mr. Han’s design thought and creative practice.

　　▲ Beijing Tourism Logo Design

　　▲ Logo design of Peking Union Medical College Hospital

　　▲ Logo design of China Organ Transplantation Development Foundation

　　▲ Logo design of National Botanical Garden

　　▲ Logo design of Canal Business District

　　After repeated thinking and deliberation, the title of this article is "Inheritance and Innovation", because it is inseparable from these two closely related keywords to interpret Han Meilin’s artistic design thoughts. Teacher Han’s design achievements first come from "inheritance". For the inheritance of China’s splendid culture for thousands of years, he greedily immersed himself in this huge treasure house of art, including rock paintings, inscriptions on bronze, big seals, Han bamboo slips, bronze art, statues and ceramics … … And New Year pictures, paper-cuts, fabrics … … Those varied folk arts, just like the cross-border flexibility and diversity of his artistic creation, are embodied in "innovation", extracting and absorbing traditional culture in an open way, learning from others, and breaking through the professional barriers of various art categories. His research even includes the artistic symbols and forms of East Asia, South Asia and even Inca civilization, which are related to China’s traditional culture. It is this open way that makes "inheritance" not rigid and fragmented, but vivid and coherent with context. In the design, the rough and original brushwork of rock paintings, beautiful and smooth lines in auspicious patterns, free and easy flying white in wild grass, and bright colors in strong contrast in New Year pictures … …

　　For Han Meilin’s artistic design ideas and methods, there are the following key points:

　　one Han Meilin systematically inherited China’s thoughts and methods of traditional arts and crafts and artistic aesthetics, and at the same time made bold innovations on the basis of inheritance, which provided a solid foundation for him to add distinctive and high-level artistic symbol language into his design practice.

　　two Han Meilin’s active thinking and creative imagination are also a major feature of his teacher. In popular words, he has "many ideas". He almost raises his head with one idea and lowers his head with another, and ideas emerge one after another.

　　three Without refusing new technology and new expression language, Mr. Han never refused new computer software and all kinds of modern art tools in the process of creation. He was the first artist who used advertising markers to create ceramic hanging plates, a traditional arts and crafts form. He creatively used watercolor paper to create the effect of simulating rice paper, and cooperated with Mali Pigment to invent "China Ink Color" between traditional Chinese painting pigment and gouache. His method of using cameras and photocopiers as creation tools made me stunned. He even became interested in computer software.

　　four Maintain the artist’s distinctive personality and emphasize the artist’s social responsibility. Contemporary design seems to show a trend, that is, design is gradually distancing itself from art, as if design emphasizes function and "solving problems". However, this design tendency with more or less modernist thinking is always abandoned by more and more personalized and aesthetic audiences. Originally, it was intended to please the market and the audience, but it was counterproductive. Han Meilin’s artistic design insists on ingratiating oneself with others, and attaches great importance to the social responsibility that artists should have. In a classic line from the American film Spider-Man, "The greater the ability, the greater the responsibility". He always has a strong desire to add more beautiful things to contemporary design.

　　▲ Panda Stamp designed by Han Meilin (1985)

　　▲ Han Meilin’s "Year of the Gui Hai" Pig Zodiac Special Stamp (1983)

　　▲ "Ding Younian" Chicken Zodiac Special Stamp designed by Han Meilin (2017)

　　▲ Han Meilin’s "Year of the Sea" Pig Zodiac Special Stamp (2019)

　　▲ Han Meilin’s "Year of the Gengzi" Rat Zodiac Special Stamp (2020)

　　▲ Han Meilin’s design of the Liechtenstein Zodiac commemorative stamp (2018)

　　Teacher Han Meilin’s contribution in the field of art design is actually as brilliant as his other kinds of creations, but the breadth and depth of this artistic strongman’s professional involvement have a great influence, resulting in the important achievements in art design only accounting for a small category in his huge creative content, but it has reached an alarming level. Every design work is hit the floor, and even has the leading significance of design trends. From the well-known logo of Beijing’s bid for the Olympic Games, Collect and sort out the words and symbols that can’t be tested in rock paintings, painted pottery, Oracle bones and Zhong Ding to create a unique artistic font "Tianshu", the logo and fuselage interior design of China International Airlines, and the well-known mascot "Fuwa" of the Beijing 2008 Olympic Games. Mention the influence of any one of them, which is very enlightening.

　　one

　　Fuwa was born

　　As a consultant of Beijing Olympic bid committee and Beijing Olympic Organizing Committee, Mr. Han Meilin presided over the design of a large number of important Olympic-related works during Beijing’s Olympic bid and preparations for the Olympic Games. In 2004, he was entrusted by Beijing Olympic Organizing Committee to revise the mascot design of Beijing Olympic Games. I was lucky enough to participate in some auxiliary and post-development design work, so I personally experienced and witnessed the master’s creative style. At first, there were some limitations in modifying the design. In view of the design directions selected in the solicitation activities (namely, six works of panda, tiger, dragon, the Monkey King, rattle and Ah Fu), the creation encountered bottlenecks. After several days of no breakthrough in modifying the design, Teacher Han Meilin decisively decided to jump out of the previous design concept and proposed to completely overthrow the limitations. After a heated discussion, Mr. Han Meilin stayed up almost all night, and drew a new design sketch that night — — Five cute little dolls, these images are very close to the Fuwa when they were finally released. They wear five kinds of headdresses symbolizing Jin Mu’s fire, water and soil, which are very similar to the big-headed dolls and cute tiger hats in traditional festivals. The design of these headdresses absorbs the different regional characteristics and artistic expression language of China. The major breakthrough of the scheme is that the mascot is designed as a combination of animals and characters for the first time, emphasizing that the People’s Olympics is people-oriented. If the design of the Olympic emblem represents a steady official aesthetic,Then Fuwa represents an auspicious, smooth and auspicious folk culture and art form.

　　▲ "Fuwa" manuscript

　　▲ "Fuwa"

　　▲ "Fuwa" Olympic Stamp (2008)

　　▲ Han Meilin and "Fuwa"

　　Of course, the design process is quite long and arduous. After several rounds of revision and design work, the role setting of the five dolls started with "Flame, Panda, Fish, Tibetan Antelope and Dragon", and gradually replaced the Monkey King with Tibetan Antelope, and replaced the virtual animal "Dragon" with the traditional Beijing kite "Shayan". The name of "Fuwa" was determined, and the personal name "Welcome to Beijing" and special fonts in Chinese and English were also designed in homophonic form. On June 9, 2005, the 54th Executive Committee of BOCOG deliberated and adopted the revised mascot scheme. On August 18th, Mr. Verbruggen, Chairman of the Coordination Committee of the International Olympic Committee, sent a confirmation letter of the mascot to BOCOG. So far, the mascot design scheme has passed the examination of the International Olympic Committee. Industrial and commercial registration and legal protection were successfully completed by the end of October. At 20: 15 on November 11th, during the 1000-day countdown to the opening of the Beijing Olympic Games, the mascot was officially released to the world.

　　▲ Han Meilin designed the logo for Beijing’s Olympic bid.

　　▲ Han Meilin, Mrs. Han Meilin, Zhou Jianping and the logo of Beijing’s Olympic bid.

　　▲ Beijing Olympic bid sign

　　▲ Sports icons evolved from the Olympic bid logo.

　　The launch of Fuwa has had a far-reaching impact on the design field of China logo and mascot, and achieved great success. In the subsequent large-scale events and international activities, the design method of serial mascots and changing colors and headdresses has become a popular trend, which has been more or less cited and used for reference in mascot design such as Taiwan Flower Expo, Guangzhou Asian Games, Singapore Youth Olympic Games and Canadian Winter Olympics. Many internationally famous cartoon characters also learn from Fuwa’s appearance and change their headdresses to cope with different festivals and activities.

　　two

　　Unscramble gobbledygook

　　Teacher Han Meilin’s writing theme "The Book of Heaven" is unique. He focuses on the unread characters and symbols in rock paintings, pottery pieces, Oracle bones, Zhong Ding and ancient books. He collects these homeless beautiful and mysterious characters together and becomes the basis of font creation. Although many artists and designers were fascinated by the artistic creation of ancient Chinese characters in the past, the focus of Tianshu was the most original. He systematically integrated the above-mentioned unread words and symbols into a research system with theoretical depth. Culture needs to be spread and passed on through symbol carriers, and symbols will evolve continuously in the long history. If we ignore the intermediate links in this evolution, we will find that the source and structure may be very different. On the basis of paying attention to the cultural inheritance of Chinese characters, he did not simply collect and sort out records and descriptions, but added a special and unique language as his calligraphy and painting at the same time. In Mr. Han’s gobbledygook works, his artistic expression ability is fully reflected, that is, a concept has many forms. The training and cultivation of this ability has a good reference significance for the majors of logo design, creative font design and graphic design that pay attention to formal scrutiny.

　　▲ Rock Painting (Image from Ningxia Rock Painting)

　　▲ Rock paintings (pictures from the Internet)

　　▲ From the manuscript of Han Meilin gobbledygook.

　　▲ Tianshu blue printed cloth

　　The development of Chinese character art and design has a vital impact on modern design in China. Today, with the serious tendency of internationalization, modern designers in China have begun to strive to establish a more influential position in the international and domestic design fields through innovation. Naturally, national vocabulary and local cultural symbols have become the objects of their efforts to explore and explore, and visual elements, cultural concepts and information symbols are numerous. Teacher Han Meilin’s "heavenly book" is a great contribution to this vocabulary excavation, and this exploration and excavation of local cultural vocabulary will definitely have an important impact on the modern design of China.

　　three

　　Air China Aviation Emblem and Interior Design

　　The Phoenix logo of China International Airlines designed by Han Meilin occupies a landmark position in the history of contemporary graphic design in China. Today, when major international and domestic airlines have reshaped their visual images, this beautiful logo is still deeply rooted in people’s hearts because of its clear traditional aesthetics and fashion simplicity. It has stood for nearly 30 years and has become one of Chinese’s brand images with accurate conceptual positioning, the highest visibility and discrimination. The whole figure is concise and lively, with only four strokes, which are clearly distinguishable regardless of scaling.

　　▲ Han Meilin Air China logo design manuscript

　　▲ Logo design of China International Airlines

　　▲ Han Meilin and Air China

　　Since 2012, Mr. Han Meilin has been entrusted by Air China to preside over the creation and design of its brand-new aircraft interior. During the one-year design process, Mr. Han Meilin extracted the cultural heritage of China and combined traditional decorative arts with modern textile technology, which won the admiration and praise of Air China and British craft design companies. The number of data sketches collected by investigation is huge beyond imagination, and each square continuous design draft is the original large hand-painted draft with full open paper type. The connection between design drawings and making objects is one of the key points of the whole design. Textile samples are sent to Mr. Han’s studio from Britain by a famous British design company for his selection and further revision. The final interior design system shows the perfect combination of oriental aesthetic implication and craft creation.

　　▲ Han Meilin was entrusted by Air China to preside over the creation and design of its brand-new model interior.

　　▲ Design does not know national boundaries, and communication creativity is infinite.

　　▲ Han Meilin was interviewed by foreign media.

　　▲ Han Meilin’s cabin interior design manuscript

▲ Air China simulation cabin located at Han Meilin Art Museum in Beijing.

　　Mr. Han graduated from the Central Academy of Arts and Crafts, which is the predecessor of Tsinghua University Academy of Fine Arts, where I now teach. He used to be the leader of art design in China. He established a complete art design education and practical creation system at that time through utilitarianism and independent innovation, and established the concept that art design serves the people’s needs, food, clothing, housing and transportation, and learned from nature, tradition and folk learning extensively. This is different from the evaluation and appreciation standard of so-called "pure art", which is a more open system pattern. Knowing this, you will understand the value of his sculpture, his purple sand, his logo and mascot design. On this road, "inheritance" is the cornerstone, and "innovation" is the driving force. Teacher Han Meilin is the vanguard of this charming art road.

　　Appreciation of some designs in Han Meilin

　　▲ Logo design of Han Meilin Art Foundation.

　　▲ Volunteer logo design of Han Meilin Art Foundation

　　▲ Logo design of China literary volunteers.

　　▲ Logo design of Zhejiang Art Museum

　　▲ Logo design of National Science and Technology Communication Center

　　▲ Rong Baozhai 350th anniversary logo design.

　　▲ Logo Design of "Merrill Cup" Youth West Lake Painting Competition

　　▲ Logo design of China Golden Rooster and Hundred Flowers Film Festival

　　▲ The Third China International Cartoon & Animation Festival Logo Design

　　▲ Logo design of the first World Buddhist Forum

　　▲ Logo design of China-Russia Youth Friendly Exchange Year

　　▲ Logo design of the first leaders’ meeting of Lancang-Mekong cooperation.

　　▲ Urban Logo Design of Langfang, Hebei

　　▲ Shanxi Yuncheng City Logo Design

　　▲ Yuhang Tourism Logo Design

　　▲ Logo design of China Overseas Friendship Association

　　▲ Logo design of 2016 Tangshan World Horticultural Exposition

　　▲ Logo design of China Gymnastics Association

　　▲ Logo Design of ▲2014APEC Disabled Side Event

　　▲ Logo design of China Film Association

　　▲ Logo design of Chinese Quyi Artists Association

　　▲ Logo design of China Arts and Crafts Association

　　▲ World Water Congress logo design

　　▲ Hangzhou International Day logo design

　　Recently, @ People’s Daily published a message saying that the People’s Social Welfare Department of Sichuan Province has published 294 professional competence assessments, one of which is Sichuan cuisine. In this regard, some netizens said: "For foodies, ordering food can be verified. Isn’t this card a piece of cake?"

　　In modern society, the banquet is no longer a simple meal, there are a lot of knowledge and attention. A proper menu can increase communication between people in private and promote negotiation and cooperation between business partners in public. However, nowadays, most people don’t like to order food. At the dinner table where people gather, who will order food has become a headache.

　　Near the Mid-Autumn Festival and National Day, family dinners, friends’ gatherings and business receptions will inevitably go to restaurants to order food. Zijinshan reporter interviewed the heads of some old restaurants in Nanjing to tell you about the "art of ordering food" in old Nanjing.

　　Why is ordering important? Yuan Mei told the truth more than two hundred years ago.

　　Why do Sichuan food orderers need to set up special professional ability assessment? According to relevant media reports, an excellent Sichuan dish ordering staff should not only simply write down the dishes ordered by the guests, but also put forward optimization suggestions for the dishes ordered according to the requirements of different types of guests.

　　Zhang Zhijun, deputy general manager of Gunudu Group, told Zijinshan that taste is the core of the banquet, and if it is not properly matched, it will give people a monotonous feeling. If the table is full of salty dishes, it will make people feel dull. However, if a banquet is dominated by five or six spicy dishes, it will be too exciting and even uncomfortable. Therefore, a banquet must have ups and downs, and the flavor configuration should be reasonable.

　　In fact, Yuan Mei, a "foodie" in Nanjing, summed up how to order food and how to serve it long ago. Yuan Mei wrote in "Menu with the Garden" (published in 1792): "In the method of serving food, salt should be given first, and light should be given later; The rich should be the first, and the thin should be the last; Those who have no soup should be the first, and those who have soup should be the last. Besides, there are five flavors in the world, so we can’t generalize them blindly. When the guest is full, the spleen is sleepy, so it must be vibrated with spicy; If you worry about drinking too much wine, your stomach will be exhausted, so you must use sour and sweet to remind you. "

　　Gourmet Xiong Sizhi explained the scientific principle behind this in "The Mystery of Chinese’s Diet": "People’s stomach capacity is limited, and if there is too much food, the hypothalamus will reflect stomach fullness. A variety of foods with strong flavors continue to stimulate the taste buds, and people’s taste will feel tired, and some dishes are very hot. If the tongue temperature is above 60 C or below 0 C, there will be no taste. "

　　Paying attention to skills and choosing a good restaurant is the first step.

　　There is an old saying in China: everything is established in advance, and it is abolished if it is not planned. A successful banquet needs careful planning. For example, different nationalities have different eating habits and customs, and different regions have different diets. Even different genders and ages will lead to different eating habits. Therefore, it is particularly important to choose a suitable dining place.

　　There are eight major cuisines in China, and many people struggle over where to eat every time. Chen Xiaoqing, the general director of the first and second seasons of China on the Tip of the Tongue, said on the program Round Table School: "It seems that people, this is the most important."

　　Nanjing White-collar Small House has been docking with major customers all the year round. She summed up a set of reception standards: ordinary customers go to eat Hunan and Sichuan cuisine, important customers go to eat Cantonese and Shanghai cuisine, and especially important customers eat private cuisine.

　　"Some customers haven’t become acquaintances. Take them to eat Sichuan food. You can let down your guard and speak freely under the stimulation of hemp and spicy food. Taking important customers to eat Cantonese cuisine and Shanghai cuisine is to discuss cooperation at dinner. These restaurants are generally suitable for business negotiations. Needless to say, especially important customers, taking them to eat private cuisine means that the relationship is intimate to a certain extent. " Xiaoju explained.

　　Yan Zhengyu, general manager of Nanjing Anleyuan Restaurant, believes that Nanjing people choose old-fashioned restaurants for family dinners. Old-fashioned restaurants have memories shared by generations at home, which is convenient for emotional exchange.

　　In fact, it is not difficult to order food. Just grasp four principles.

　　It is not so easy to become a "master of ordering". Zhang Zhijun, who has worked in Nanjing catering industry for decades, knows the way to order food. He said, "It is not difficult to order food. Knowing yourself and knowing yourself can lead to an invincible battle."

　　Whether it’s a business banquet or a gathering of friends, for a more formal banquet, as long as the host has time, he might as well go to the restaurant to book the menu first. This is more polite, saves time, and avoids some embarrassment. After ordering, you can also calculate the cost first, so as to know fairly well. If the total price is found to be too high or too low, it can also be adjusted immediately.

　　Zhang Zhijun summarized the following four principles of ordering food:

　　Look at the theme. According to the theme, click on the "calculating dishes" with rich meanings. General dinners include family dinners, school banquets and birthday banquets. For example, at the school banquet, you can order a dish called "Carp Jumping at the Dragon Gate".

　　Second, look at the composition of personnel. If it is a dinner party for several generations, we should give consideration to the age level and order some dishes that are easy to chew and digest for the elderly and children.

　　Third, look at seasonal dishes and seasonal dishes. Nanjing people pay attention to not eating from time to time, eating "seven heads and one brain" in spring, crayfish in summer and eight immortals in autumn; From the festival point of view, Nanjing people will eat five reds on the Dragon Boat Festival, and one of them is roast duck. Eight laurel flowers, you can order salted duck at the dinner before and after the Mid-Autumn Festival. On the New Year’s Eve, Nanjing people must order a whole fish and assorted vegetables, which means that there is more than enough and perfection every year.

　　Fourth, look at the signature dishes. Time-honored restaurants in Nanjing all have their own specialty dishes, and many specialty dishes also have celebrity stories. If you serve one or two specialty dishes, you can show the host’s care and respect for the invitees.

　　There is another way to save trouble. Zhang Zhijun said, "If time permits, you can wait for most of the guests to arrive and circulate the menu in turn, so that everyone can order one dish or several dishes, which will meet everyone’s needs and will not cause waste." (Zijinshan/Jinling Evening News reporter Yu Yu)

Special feature of 1905 film network　From moviesLove Letter for Beijing Meeting Seattle, Love each other., toHello, Zhihua, See Nara againAnd the new film released this week.A Hustle Bustle New YearYanshu Wu is definitely a frequent visitor who plays "Grandma" in recent film and television works. Although the character is unified in nature, she lets the audience see a "changeable grandmother".　

Looking through her resume, we can see that she has only gradually become active in film and television works in recent years and has become the "national grandmother" in everyone’s mind. In many film and television works in the past, the role of "grandma" is often flat and one-sided, and can even be used as a conceptual tool. However, the appearance of Yanshu Wu has enhanced the "sense of existence" of such characters.

Like the characters in her movies, everyone used to call her "Grandma Wu" when they saw her in reality. She is elegant and kind, and treats everyone very kindly. Even if she is over 80 years old, whenever a movie is released, she will spare no effort to participate in publicity, miss every movie roadshow and interact with the audience at close range. The staff who have had contact with her will say, "Grandma Wu is just like her grandmother."　

01

A Hustle Bustle New Year is one of Yanshu Wu’s most recent films. Whether the play between actors is beautiful or not is not the pursuit of "outshining others", but the value of "1+1>2". The cooperation between her and the actors maximizes this value.

In the movie, Yanshu Wu left the audience with the deepest scene that her neighbor gave her a candied date, but her son (WU GANG) asked her to throw it away because of her health problems. In the whole dispute scene, their spark is not only the interaction of actors, but also the documentary presentation of the time that mother and son will encounter in their lives.　

"This is a mutual play, and the actors push each other. His fierceness is due to the consideration of my health, and it is also a kind of love, and my role in the movie is actually very stingy. It is a jujube, how precious it is, so I really want to taste it. " When two actors were in the right mood, all the scenes were lit up in an instant. This is the first time for two actors to cooperate. At first, Yanshu Wu was worried that he could not keep up with each other’s play. As a result, when WU GANG met her for the first time, she came over and said "Mom", and the distance between them was shortened instantly. No matter in or out of the play, the two get along like mother and son, and this kind of emotion is naturally substituted into the filming.

Empathy is the key for an actor to enter the role. "When the actor enters a role, you can naturally reveal these things." Yanshu Wu didn’t make any designs before acting. In her opinion, things designed in advance may not be used at the scene, and she must make the response that this role should have according to her opponent’s play.

In A Hustle Bustle New Year, Yanshu Wu thinks this role is the traditional mother image of China. She is kind, tolerant and understanding of children, and will also be very economical. "I will communicate the positioning of the role when reading the script, and then understand and create according to the director’s requirements, but my ideas must also be approved by the director."　

02

"I don’t want you", Yanshu Wu’s line in "Love each other", became the tears of countless audiences. When she first saw the script, she politely refused the assistant director. The story line of this role is not complicated. After her mother died, the daughter wanted to move her father’s grave from the countryside to the city and be buried with her mother. But in the countryside, my father’s original match, that is, "grandma", clung to the old grave and refused to let go.

"This role is too far away from me. I am not sure. The only thing I can understand is that I used to go to the countryside to experience life when I was on the stage of drama." After the deputy director was rejected, director Zhang Aijia did not give up. "I have to meet and talk to me in person." Besides the sense of distance from life, Yanshu Wu is actually very stressed about the last scene in the movie. Because she is particularly sensitive to dust, she will sneeze all the time, and she doesn’t want to ruin the scene. "No problem, as long as you play, I will solve this problem." Zhang Aijia made a guaranteed ticket to Yanshu Wu.　

In the end, Grandma Wu took over "Love each other". She visited the rural areas of Henan with the director, got close contact with a centenarian and chatted with the old ladies in the village. She understands that in the heart of such a woman, it is sacred to stick to love. This person is hers. Maybe this person has many wives outside, and she will not complain. Because in her mind, her husband is the belief of life.　

In the movie, after grandma went to town, she saw a photo of her husband and the wife, and then she took a step back subconsciously and bowed deeply. Here, she sees a strange man. He is her husband who has been waiting for many years, but she doesn’t know the person in the photo in front of her. His appearance is no longer the impression in her mind. "People are a family, and they are well matched. I should let go."　

"I actually understand the intention of director Zhang Aijia. This role looks calm on the surface, but the inner emotions are turbulent." This kind of emotion is not a one-sided cry, but a person who has experienced the experience of life and years, and can incorporate all emotions into all the action details. Every move seems impeccable, but Yanshu Wu is still not so satisfied with his acting skills. At the end of the scene, she said to her dead wife’s bones, "I don’t want you. Let’s go and go to town." She thinks that when the character sees the bone, the emotions that have been precipitated for a lifetime immediately emerge, and she should leave time to think about it. "But the director wants to compress, and I didn’t adjust it at once. I took it twice, but I still don’t feel sure. There is no word’ let’s go’ in the last paragraph. "　

Every time Yanshu Wu gets a script, she studies her role thoroughly. In addition to her own scenes, she will also carefully study the lines of other actors. On the one hand, it comes from the professional inertia brought by past drama experience, on the other hand, she can enrich the pattern of characters from the lines of the other side. As a screenwriter, her daughter once advised her that movies are shot in segments, unlike dramas. The lines can be recited separately, but she doesn’t care. A whole page of lines will be memorized before shooting. "For example, in the movie, there is a word’ Grandma is in good health’, so I can imagine the state of Grandma as a whole."　

03

After watching it, Zhang Aijia decided to ask Yanshu Wu to star in "Love each other". Although the roles in the two works are very different, in Zhang Aijia’s view, Grandma Wu has the most charming wrinkles on her face. When she was young, she didn’t pay much attention to maintenance. When she was old, she never avoided wrinkles.

"Actors have to live, and wrinkles are part of life. If my face is still smooth, you will find those characters untrustworthy. Years make up the story of my life. " The reason why the director chose her to star in "Beijing meets Seattle 2" is the same. "I just like her wrinkles. Now the elderly have no wrinkles and have bare white hair. I hope to have a textured old lady whose wrinkles are particularly kind. "

In reality, she is really an old lady with curiosity and girlish feeling. Even Zhang Aijia said that she was "extremely fairy".

Every time she participates in an activity, she calls a car online and never mentions all kinds of needs. At that time, when she went to Taiwan Province, China to participate in activities, she also took a puppet doll named "Xiao Kaixin" with her, and made all the trips by herself. Although she has come to Beijing to live with her daughter, they still live separately, but they still make regular appointments to read the script, and everything is as independent as possible without interference. Even when continuous shooting met Seattle 2, she went abroad alone. Before leaving, she asked her daughter to give herself a dictionary, and everything was solved by herself.

On the plane, she first found the passenger next to her, helped her write English on paper, and then marked her pronunciation in Chinese. When she entered the country, the customs officer asked her what she was doing in the United States, and she told her to act and play "grandma". During filming in Las Vegas, she went out alone in her spare time and solved various life problems with the simplest words and dictionary function. Every time she passes a corner, she will film it in case she gets lost. Her grandson also downloaded an APP to her mobile phone to ensure her real-time positioning.

This "frozen" girlish feeling is perfectly integrated in "Beijing meets Seattle 2". This grandmother was spoiled by her grandfather all her life. At the late wedding, when she heard the other person’s heartfelt words, Grandma Wu looked at her lifelong lover, suffering from tears, biting her fingers from time to time, and was afraid of losing her voice.　

All emotions are moving at that moment. Love doesn’t seem to grow old with age, but is treasured and fermented more mellow.　

04

What Xue Xiaolu asked Yanshu Wu at that time was to perform her sister’s feelings, but in reality, she was older than. "I have a unique condition. I have been spoiled since I was a child. This feeling is there." Born in a Kochi family, she was a rare only child in that era. She was loved by the whole family and had a good family education since childhood. In particular, my mother’s discipline is very strict, and all details are required to be elegant since childhood, and she is brought up completely according to the requirements of a celebrity.

At first, her father wanted her to study medicine, but she was afraid of dissection. Once I went to see a play with my father. She was shocked by the performance, so she chose the stage. At that time, the public still had some old-fashioned ideas about "actors". But her father is very open-minded and feels that he is the best in his profession.　

After graduating from high school, she went to Shanxi Repertory Theatre, where she made a film and has never participated in any film and television works since. After retirement, she has been taking care of her husband and mother at home. Until 2010, after the death of relatives in Shanxi, her daughter took her to Beijing and began to contact film and television works. She first played The Journey to the West, and later she played several dramas directed by Shen Yan. Until 2015, she came into contact with the movie "Beijing meets Seattle 2".

In 2016, she was nominated for the first film award for her film "Beijing Meets Seattle 2", and she also made up for various domestic film awards with great interest. The following year, she won the Golden Rooster Award for Best Supporting Actress for her film.

"In the past, there was no award for our troupe to perform drama. At that time, I was worried that everyone would be proud after winning the prize." In grandma’s memory, her drama Liu Hulan was performed for Premier Zhou and other leaders in the auditorium of the Great Hall of the People. "That is a reward." That day was March 19, 1965, and it was an unforgettable time for her. After experiencing various film and television works, Grandma Wu has been loved by many young audiences. At the Golden Rooster Film Festival in 2020, when she bought coffee in the cafe next to the cinema, people went up to greet her grandmother from time to time and asked for a photo and signature.　

After the screening of the movie "See Nara Again" starring her, countless audiences raised their hands, and many people threw questions at her. Someone asked her how she managed to interpret a different "grandma" every time.　

"I don’t think there is any skill in shaping characters, that is, it is true, that is, it is necessary to get into the heart of the character, to find the most shining place of the character, and to give the character a bright spot. This is what the actor should do. If you can’t give this character a bright spot, the role will fail."　

Perhaps it is this kind of "drilling" that allows her to get into our hearts.